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Honing, H. (2004) Is Timing Tempo-Specific? An Online Internet Experiment on Perceptual Invariance of Timing in Music.Technical Reports. Institute for Logic, Language and Computation.Working paper | UvA-DARE
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Honing, H. (2004) When a good fit is not good enough: A case study on the Final Ritard.Technical Reports. Institute for Logic, Language and Computation.Working paper | UvA-DARE
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Honing, H. (2004) Wiskunde en muziekcognitie.Technical Reports. Institute for Logic, Language and Computation.Working paper | UvA-DARE
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Honing, H. (2004) Computational Modeling of Music Cognition: A Case Study on Model Selection.Technical Reports. Institute for Logic, Language and Computation.Working paper | UvA-DARE
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Honing, H. (2004) Is there a perception-based alternative to kinematic models of tempo rubato?.Technical Reports. Institute for Logic, Language and Computation.Working paper | UvA-DARE
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Honing, H. (2004) Het geheim van de syncope. Over muziekcognitie, meten aan uitvoeringen, spannende ritmes, en de aandacht van baby's.De Groene Amsterdammer 45 (pp 28-29)Article | UvA-DARE
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Honing, H. (2004) Muziek de maat genomen. Over de groeiende rol van theorie en observatie in de musicologie.De Academische Boekengids, Vol. 4 (pp 23-23)Article | UvA-DARE
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Honing, H. (2004) Je weet niet wat je hoort: wiskunde en muziekcognitie.Nieuw Archief voor Wiskunde, Vol. 5/5 (pp 228-231)
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Honing, H. (2004) Een vertelling over muziek, motoriek en metafoor.Mens & Melodie, Vol. 59 (pp 5-9)Article | UvA-DARE
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Honing, H. (2004) When a good fit is not good enough: a case study on the final ritard.In Ashley, R Lipscomb, S. (Eds.), Proceedings of the International Conference on Music Perception and Cognition (ICMPC) (pp 510-513). Northwestern University.Conference contribution | UvA-DAREHoning, H. (2004) The comeback of systematic musicology: new empiricism and the cognitive revolution.Dutch Journal of Music Theory, Vol. 9 (pp 241-244)Article | UvA-DAREHoning, H. (2005) Timing is tempo-specific.Proceedings of the International Computer Music Conference, Vol. 2005 (pp 359-362)Article | UvA-DAREHoning, H. (2005) Music cognition: Theory testing and model selection.In Proceedings of the Annual Conference of the Cognitive Science Society (pp 38-38). University of Turin.Conference contribution | UvA-DAREHoning, H. (2005) Muziek is geen geluid: Over muziek, kunst en wetenschap.BLIND : Interdisciplinair Tijdschrift, Vol. 4Article | https://www.ziedaar.nl/article.php?id=207 | UvA-DAREHoning, H. (2005) Is there a perception-based alternative to kinematic models of tempo rubato?.Music Perception, Vol. 23 (pp 79-85)Article | https://doi.org/10.1525/mp.2005.23.1.79 | UvA-DAREHoning, H. (2006) Music and Cognition: What cognitive science can learn from music cognition.In Proceedings of the Annual Conference of the Cognitive Science Society (pp 2655). Lawrence Erlbaum Associates.Conference contribution | UvA-DAREHoning, H. (2006) The role of surprise in theory testing: Some preliminary observations.In Proceedings of the International Conference on Music Perception and Cognition (pp 38-42). University of Bologna.Conference contribution | UvA-DAREHoning, H. (2006) Evidence for tempo-specific timing in music using a web-based experimental setup..Journal of Experimental Psychology. Human Perception and Performance, Vol. 32 (pp 780-786)Article | https://doi.org/10.1037/0096-1523.32.3.780 | UvA-DAREHoning, H. (2006) Computational modeling of music cognition: a case study on model selection..Music Perception, Vol. 23 (pp 365-376)Article | https://doi.org/10.1525/mp.2006.23.5.365 | UvA-DAREHoning, H. (2006) How to make a machine listen?.Intensive Science (Sony Computer Science Laboratoy) (pp 21)Article | UvA-DARE
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