Honing, H., Ladinig, O. (2009) Exposure influences expressive timing judgments in music.

Journal of Experimental Psychology. Human Perception and Performance, Vol. 35 (pp 281-288)

Article | https://doi.org/10.1037/a0012732 | UvA-DARE

Honing, H., Levelt, W.J.M. (2014) Je hoeft niet in wetenschap te geloven.

NRC Handelsblad

Article | https://doi.org/https://www.nrc.nl/nieuws/2014/05/20/denkennrcnl-1378914-a250985 | UvA-DARE

Honing, H., Merchant, H., Háden, G., Prado, L., Bartolo, R. (2012) Probing Beat Induction in Rhesus Monkeys: Is Beat Induction Species-Specific?.

In Cambouropoulos, E. Tsougras, C. Mavromatis, P. Pastiadis, K. (Eds.), Proceedings of the 12th International Conference on Music Perception and Cognition and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (pp 454-455). Aristotle University of Thessaloniki.

Honing, H., Merchant, H., Háden, G., Prado, L., Bartolo, R. (2012) Rhesus monkeys (Macaca mulatta) detect rhythmic groups in music, but not the beat.

PLoS ONE, Vol. 7 (pp e51369)

Article | https://doi.org/10.1371/journal.pone.0051369 | UvA-DARE

Honing, H., Merchant, H. (2014) Differences in auditory timing between human and nonhuman primates.

Behavioral and Brain Sciences, Vol. 37 (pp 557-558)

Comment/Letter to the editor | https://doi.org/10.1017/S0140525X13004056 | UvA-DARE

Honing, H., Patel, A., Sadakata, M., Desain, P., Iversen, J.R. (2003) An analysis of rhythm in japanese and english popular music.

In Taguti, et al., T. (Eds.), Proceedings of the Annual meeting of the Japanese Society for Music Perception and Cognition (pp 1-4). International Symposium on Musiacl Acoustics.

Honing, H., Ploeger, A. (2012) Cognition and the Evolution of Music: Pitfalls and Prospects.

Topics in Cognitive Science, Vol. 4 (pp 513-524)

Article | https://doi.org/10.1111/j.1756-8765.2012.01210.x | UvA-DARE

Honing, H., Reips, U.-D. (2008) Web-based versus lab-based studies: A response to Kendall (2008).

Empirical Musicology Review, Vol. 3 (pp 73-77)

Comment/Letter to the editor | https://doi.org/10.18061/1811/31943 | UvA-DARE

Honing, H., Romeijn, J.W. (2011) Surprise! Assessing the value of risky predictions.

In Proceedings of the thirteenth International Conference on Informatics and Semiotics in Organisations - Problems and Possibilities of Computational Humanities ( (pp 185). Fryske Academy, series FA 1053.

Honing, H., Sadakata, H.M., Desain, P. (2002) The relation between rhythm perception and production: towards a bayesian model.

In Ogushi, K. (Eds.), Proceedings of the Japanese Society of Music Perception and Cogntion (pp 123-127)

Honing, H., Scherder, E.J.A., Swaab, D. (2011) Amuzikaal zijn is de grote uitzondering.

Volkskrant, Opinie & Debat

Article | UvA-DARE

Honing, H., ten Cate, C., Peretz, I., Trehub, S.E. (2015) Without it no music: Cognition, biology, and evolution of musicality.

Philosophical Transactions of the Royal Society B - Biological Sciences, Vol. 370

Article | https://doi.org/10.1098/rstb.2014.0088 | UvA-DARE

Honing, H., Timmers, T. (2002) Issuing an empirical musicology of performance.

In Freedom and constraints in timing and ornamentation. Investigations of music performance (pp 19-49\). Shaker Publishing.

Honing, H., van Rijn, T., Coenen, T., Jenks, K., Desain, P. (2002) Omission evoked potentials (OEPS) in rhythmically trained and non-trained subjects.

Journal of Cognitive Neuroscience, Vol. B90

Article | UvA-DARE

Honing, H., van Rijn, T., Jongsma, M.A., Desain, P. (2002) Aep p300 modulation by two different temporal contexts in both rhythmically trained and nontrained subjects.

Journal of Cognitive Neuroscience, Vol. A94

Article | UvA-DARE

Honing, H., Zuidema, W. (2014) Decomposing dendrophilia: Comment on "Toward a Computational Framework for Cognitive Biology: Unifying approaches from cognitive neuroscience and comparative cognition" by W. Tecumseh Fitch.

Physics of Life Reviews, Vol. 11 (pp 375-376)

Comment/Letter to the editor | https://doi.org/10.1016/j.plrev.2014.06.020 | UvA-DARE

Honing, H. (1992) EXPRESSO, A STRONG AND SMALL EDITOR FOR EXPRESSION.

Proceedings of the International Computer Music Conference, Vol. 1992 (pp 215-218)

Article | http://hdl.handle.net/2027/spo.bbp2372.1992.057 | UvA-DARE

Honing, H. (2002) Structure and interpretation of rhythm and timing.

Dutch Journal of Music Theory, Vol. 7 (pp 227-232)

Article | UvA-DARE

Honing, H. (2003) The final ritard: on music, motion, and kinematic models.

Computer Music Journal, Vol. 27 (pp 66-72)

Article | https://doi.org/10.1162/014892603322482538 | UvA-DARE

Honing, H. (2003) Some comments on the relation between music and motion.

Music Theory Online, Vol. 9

Article | http://societymusictheory.org/mto/issues/mto.03.9.1/ | UvA-DARE