Searchable List of Research Output

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  • Honing, H., Ladinig, O. (2009) Exposure influences expressive timing judgments in music.
    Journal of Experimental Psychology. Human Perception and Performance, Vol. 35 (pp 281-288)
  • Honing, H., Levelt, W.J.M. (2014) Je hoeft niet in wetenschap te geloven.
    NRC Handelsblad
  • Honing, H., Merchant, H., Háden, G., Prado, L., Bartolo, R. (2012) Probing Beat Induction in Rhesus Monkeys: Is Beat Induction Species-Specific?.
    In Cambouropoulos, E. Tsougras, C. Mavromatis, P. Pastiadis, K. (Eds.), Proceedings of the 12th International Conference on Music Perception and Cognition and 8th Triennial Conference of the European Society for the Cognitive Sciences of Music (pp 454-455). Aristotle University of Thessaloniki.
    Conference contribution | UvA-DARE
  • Honing, H., Merchant, H., Háden, G.P., Prado, L., Bartolo, R. (2012) Rhesus monkeys (Macaca mulatta) detect rhythmic groups in music, but not the beat.
    PLoS ONE, Vol. 7 (pp e51369)
  • Honing, H., Merchant, H. (2014) Differences in auditory timing between human and nonhuman primates.
    Behavioral and Brain Sciences, Vol. 37 (pp 557-558)
    Comment/Letter to the editor | https://doi.org/10.1017/S0140525X13004056 | UvA-DARE
  • Honing, H., Patel, A., Sadakata, M., Desain, P., Iversen, J.R. (2003) An analysis of rhythm in japanese and english popular music.
    In Taguti, et al., T. (Eds.), Proceedings of the Annual meeting of the Japanese Society for Music Perception and Cognition (pp 1-4). International Symposium on Musiacl Acoustics.
    Conference contribution | UvA-DARE
  • Honing, H., Ploeger, A. (2012) Cognition and the Evolution of Music: Pitfalls and Prospects.
    Topics in Cognitive Science, Vol. 4 (pp 513-524)
  • Honing, H., Reips, U.-D. (2008) Web-based versus lab-based studies: A response to Kendall (2008).
    Empirical Musicology Review, Vol. 3 (pp 73-77)
    Comment/Letter to the editor | https://doi.org/10.18061/1811/31943 | UvA-DARE
  • Honing, H., Romeijn, J.W. (2011) Surprise! Assessing the value of risky predictions.
    In Proceedings of the thirteenth International Conference on Informatics and Semiotics in Organisations - Problems and Possibilities of Computational Humanities ( (pp 185). Fryske Academy, series FA 1053.
    Conference contribution | UvA-DARE
  • Honing, H., Sadakata, H.M., Desain, P. (2002) The relation between rhythm perception and production: towards a bayesian model.
    In Ogushi, K. (Eds.), Proceedings of the Japanese Society of Music Perception and Cogntion (pp 123-127)
    Conference contribution | UvA-DARE
  • Honing, H., Scherder, E.J.A., Swaab, D. (2011) Amuzikaal zijn is de grote uitzondering.
    Volkskrant, Opinie & Debat
    Article | UvA-DARE
  • Honing, H., ten Cate, C., Peretz, I., Trehub, S.E. (2015) Without it no music: Cognition, biology, and evolution of musicality.
    Philosophical Transactions of the Royal Society B - Biological Sciences, Vol. 370
  • Honing, H., Timmers, T. (2002) Issuing an empirical musicology of performance.
    In Freedom and constraints in timing and ornamentation. Investigations of music performance (pp 19-49\). Shaker Publishing.
    Chapter | UvA-DARE
  • Honing, H., van Rijn, T., Coenen, T., Jenks, K., Desain, P. (2002) Omission evoked potentials (OEPS) in rhythmically trained and non-trained subjects.
    Journal of Cognitive Neuroscience, Vol. B90
    Article | UvA-DARE
  • Honing, H., van Rijn, T., Jongsma, M.A., Desain, P. (2002) Aep p300 modulation by two different temporal contexts in both rhythmically trained and nontrained subjects.
    Journal of Cognitive Neuroscience, Vol. A94
    Article | UvA-DARE
  • Honing, H., Zuidema, W. (2014) Decomposing dendrophilia: Comment on "Toward a Computational Framework for Cognitive Biology: Unifying approaches from cognitive neuroscience and comparative cognition" by W. Tecumseh Fitch.
    Physics of Life Reviews, Vol. 11 (pp 375-376)
    Comment/Letter to the editor | https://doi.org/10.1016/j.plrev.2014.06.020 | UvA-DARE
  • Honing, H. (1992) EXPRESSO, A STRONG AND SMALL EDITOR FOR EXPRESSION.
    Proceedings of the International Computer Music Conference, Vol. 1992 (pp 215-218)
  • Honing, H. (2002) Structure and interpretation of rhythm and timing.
    Dutch Journal of Music Theory, Vol. 7 (pp 227-232)
    Article | UvA-DARE
  • Honing, H. (2003) The final ritard: on music, motion, and kinematic models.
    Computer Music Journal, Vol. 27 (pp 66-72)
  • Honing, H. (2003) Some comments on the relation between music and motion.
    Music Theory Online, Vol. 9

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